The Who's 'The Who Sell Out' (33 1/3 Series) (Unabridged) Audiobook

The-whos-the-who-sell-out-33-13-series-unabridged
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Narrated By Jonathan Davis

Retail Price: $21.35
Special Offer Price: $7.49

Length: 3 hours and 36 minutes

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About

Audible, Inc. presents The Who's 'The Who Sell Out' (33 1/3 Series) audiobook in a downloadable format. This book was written by John Dougan and narrated by Jonathan Davis.

This version of The Who's 'The Who Sell Out' (33 1/3 Series) audiobook is published in an unabridged format. That means that this is complete narration of the written book.

Compare to other audiobooks?

Category     This
Audiobook 
 Average
Author 
 Percent of
Average 
Rating 74 Points 74 Points 100%
Price $14.95 $18 83%
Minutes 216 355 61%

About the Author

Category    John Dougan  Average
Author 
 Percent of
Average 
Rating 74 Points 74 Points 100%
Price $14.95 $18 83%
Minutes 216 355 61%

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Summary

Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire...the album sold well, but not spectacularly, [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness: 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot.

In the 36 years since its release, Sell Out, though still not the best selling release in The Who's catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.

As much as it is an expression of the band's expanding sonic palette, Sell Out also functions as a critique of the rock-and-roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece.

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